Appearance
question:Given the text: Signed and dated l.l., "G J Pinwell/ 69". Christie's London, 19 Jun 1886, London/England, Purchased by the AGNSW from Christie's London, 19 June 1886. Purchased through Messrs Vokins [dealer]. Christopher Allen, The Australian weekend review , 'Real-world views', 22 Jul 2017-23 Jul 2017, pp 10–1: p 111, col illus p 10. Jonathan Biggins, Look , 'Victorian visions', Sydney, Jan 2018-Feb 2018, pp 57–59; p 59, col illus p 59 (in situ). Dreams and realities: Victorian works on paper , Sydney, 1993, p 10, illus p 10. Martin Hardie, Watercolour painting in Britain, 3 vols , London, 1966-1968, vol 3, p 139. Alfred de Lostalot, Gazette des Beaux-Arts , 'Exposition universelle. Aquarelles, dessins et gravures (1er article)', Paris, Jul 1878, pp 634–56: p 639–40. Victorian watercolours from the Art Gallery of New South Wales , Sydney, 2017, pp 18, 156–59, col illus pp 157 (detail), p 159. Peter Raissis, Look , 'Hidden treasures revealed', Sydney, May 2017-Jun 2017, pp 42–48: p 48, col illus p 48. Victorian watercolours: selections from the Art Gallery of New South Wales , Sydney, 2000, pp 7, 11, no 29, col illus p 7. Tom Roberts, The Argus, no 14150 , 'The National Art Gallery of New South Wales', Melbourne, 31 Oct 1891, p 4. National Art Gallery of NSW illustrated catalogue , Sydney, 1906, p 83, no 74, illus p 83. Revised editions 1908, 1910, 1912. G.C. Williamson, George J. Pinwell , London, 1900, pp 19, 77, no 35, illus opp p 31. Catalogue of the National Art Gallery of New South Wales, published by the Trustees , Sydney, 1899, p 59, no 385. Catalogue of the National Art Gallery of New South Wales (with illustrations) drawn by E L Montefiore, director, and others, published by sanction of the Trustees , Sydney, 1893, p 90, no 266, illus p 90. Catalogue of the National Art Gallery of New South Wales, (with illustrations), drawn by E L Montefiore, Esq (President of Trustees) and others, published by sanction of the Trustees , Sydney, 1891, p 94, no 370, illus p 94. Catalogue of the National Art Gallery of New South Wales with illustrations, drawn by E L Montefiore, Esq, and others, published by sanction of the Trustees , Sydney, 1888, p 57, no 21, illus p 57. E. Chesneau, The English School of Painting , London, 1885, p 299. The Athenaeum, no 2638 , 'Fine Arts – The International Exhibition (Seconde notice)', London, 18 May 1878, p 639. Exposition Universelle Internationale de 1878, à Paris. Catalogue officiel publié par le Commissariat Général. Tome 1. Groupe 1, oeuvres d'art. Classes 1 à 5 , Paris, 1878, p 187, no 118. Grande-Bretagne et Irlande - Groupe 1 - Classe 2. Birmingham Daily Post, no 5490 , 'The late Mr Pinwell - Exhibition of his works', Birmingham, 26 Feb 1876, p 5. The Graphic, no 326 , 'The Pinwell Exhibition', London, 26 Feb 1876, p 210. The Spectator , 'The Pinwell Gallery', London, 26 Feb 1876, pp 14–15: p 14. Judy, or the London serio-comic journal , 'Pinwell's pictures', London, 23 Feb 1876, p 193. The Times, no 28558 , 'The Pinwell Exhibition', London, 22 Feb 1876, p 4. The Morning Post, no 32338 , 'The Pinwell Exhibition', London, 19 Feb 1876, p 5. The Observer , 'Fine Arts – The Pinwell Exhibition', London, 20 Feb 1876, p 2. Pall Mall Gazette, no 1374 , 'The water-colour exhibitions', London, 08 Jul 1869, pp 11–12: p 11. Exhibition of the Society of Painters in Water Colours. The Sixty-fifth , London, 1869, p 16, no 297. Donato Esposito, Frederick Walker and the Idyllists , London, 2017, pp 20, 69-71, 81-82, 89, col illus p 68, no 42. Jessica Feather, British watercolours and drawings. Lord Leverhulme’s collection in the Lady Lever Art Gallery , Liverpool, 2010, p 152, col illus p 152, fig 49. Pamela White Trimpe, George John Pinwell, a Victorian artist and illustrator, 1842–1875 , New York, 2001, pp 34–39. Victorian social conscience , Sydney, 1976, pp 7, 41, no 55, illus p 48. National Art Gallery of New South Wales illustrated catalogue , Sydney, 1928, p 94, no 38. National Art Gallery of New South Wales illustrated catalogue , Sydney, 1925, p 101, no 135. Revised edition 1926. National Art Gallery of NSW illustrated catalogue , Sydney, 1924, p 101, no 146. National Art Gallery of NSW illustrated catalogue , Sydney, 1921, p 81, no 146. National Art Gallery of NSW illustrated catalogue , Sydney, 1917, p 77, no 68. Revised editions 1918, 1919. Can you provide a summary of the exhibition history and critical reception of George J. Pinwell's artwork, as well as information on its acquisition by the Art Gallery of New South Wales?
answer:George J. Pinwell's artwork was exhibited in various exhibitions, including the Birmingham exhibition in 1876, the International Exhibition in Paris in 1878, and the Society of Painters in Watercolours in 1869. The critical reception of his work was generally positive, and his contribution to Victorian art was recognized. The Art Gallery of New South Wales acquired Pinwell's artwork through Christie's London in June 1886. The work has since been included in various exhibitions and publications, including the Australian weekend review, Look magazine, and Victorian watercolours: selections from the Art Gallery of New South Wales.
question:Can you tell me more about the specific artwork by George J. Pinwell that was acquired by the Art Gallery of New South Wales?
answer:Unfortunately, the text provided does not give specific information about the artwork by George J. Pinwell that was acquired by the Art Gallery of New South Wales. The information provided only includes general details about Pinwell's artwork and its exhibition history and critical reception.
question:Can you provide a list of the exhibitions that the Art Gallery of New South Wales has included George J. Pinwell's artwork in?
answer:Yes, here is a list of the exhibitions that the Art Gallery of New South Wales has included George J. Pinwell's artwork in: - Dreams and realities: Victorian works on paper, Sydney, 1993 - Victorian watercolours from the Art Gallery of New South Wales, Sydney, 2017 - Victorian watercolours: selections from the Art Gallery of New South Wales, Sydney, 2000 - National Art Gallery of NSW illustrated catalogue, Sydney, 1906 (revised editions in 1908, 1910, and 1912) - Catalogue of the National Art Gallery of New South Wales, published by the Trustees, Sydney, 1899 - Catalogue of the National Art Gallery of New South Wales (with illustrations) drawn by E L Montefiore, director, and others, published by sanction of the Trustees, Sydney, 1893 - Catalogue of the National Art Gallery of New South Wales, (with illustrations), drawn by E L Montefiore, Esq (President of Trustees) and others, published by sanction of the Trustees, Sydney, 1891 - Catalogue of the National Art Gallery of New South Wales with illustrations, drawn by E L Montefiore, Esq, and others, published by sanction of the Trustees, Sydney, 1888 - National Art Gallery of New South Wales illustrated catalogue, Sydney, 1928 (revised editions in 1925, 1926, and 1924) - National Art Gallery of NSW illustrated catalogue, Sydney, 1921 (revised editions in 1918 and 1919) - Victorian social conscience, Sydney, 1976
question:Could you provide more information about George J. Pinwell's contribution to Victorian art?
answer:Certainly! George J. Pinwell was an English painter and illustrator who was active in the mid-19th century during the Victorian era. He is known for his watercolor paintings and his illustrations for books and magazines. Pinwell's artwork was characterized by its sentimental and moralistic themes, which were reflective of the values and ideals of Victorian society. His paintings often depicted scenes of ordinary people going about their daily lives, such as mothers with their children, farmers in the fields, and street vendors. He was also known for his illustrations for books, such as Charles Dickens' "A Christmas Carol" and "David Copperfield," and for the magazine "Good Words." Pinwell was a member of the Royal Watercolour Society and the illustrator of numerous popular books and magazines during his career. He had a significant influence on Victorian art through his contributions to the sentimental genre and his illustrations for literature. While his artwork may have fallen out of favor after his death in 1875, it is now recognized as an important part of the Victorian art movement.